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One Million Voices Called Upon to Share Hope for the American Dream as America Nears 250 Years of Independence; New America-Dreams.com Initiative Launches at SXSW Ahead of AMERIGO on PBS
Dreams.com , launched at SXSW and live today , aspires to capture a million voices across the United States to share what the American Dream means to people today - and what they hope it will mean for future generations. Unveiled by TV production company, McCourt Entertainment, in partnership with South Florida PBS, Austin PBS, WVIA (the PBS and NPR affiliate serving over 22 counties in northeastern and central Pennsylvania), and American Public Television (APT), America-Dre


Glen Fulthorpe on No Two Ways and the Complexity of Real Lives
In an era when documentary storytelling often gravitates toward clear arcs of downfall and redemption, Glen Fulthorpe’s No Two Ways deliberately chooses a more patient and reflective path. The film follows Biggy, a British-Iraqi man attempting to rebuild his life while confronting the lingering effects of racial profiling, past mistakes, and the responsibilities of faith and fatherhood. Rather than constructing a dramatic narrative of transformation, the film lingers in the


Justin Boswick on The Ogre, Brotherhood, and the Spirit of the DIY Scene
In the noisy basements and small venues of Portland’s underground music scene, a band called Ogre has built a reputation for turning every show into something closer to a communal ritual than a concert. When the band performs, audiences aren’t just spectators—they become part of the experience. Filmmaker Justin Boswick wanted to capture that energy on film. His short documentary The Ogre follows the three-member band—Ace, Grace, and Nils—as they prepare for their biggest s


2026 Amsterdam International Short Film Festival, First Edition Officially Closes to a Full House at Lab111
The first edition of the Amsterdam International Short Film Festival concluded last night, February 19 , with a sold-out screening at Lab111 , marking a powerful and confident debut for a festival entirely dedicated to the art, urgency, and expertise of short filmmaking. Held in the heart of Amsterdam , the night was met with an engaged and enthusiastic audience, thoughtful post-screening discussions, and a palpable sense that something essential had begun. The full house co


New York Monsters — First Edition Wrap-Up
The first edition of the New York Monsters Film Festival erupted onto the New York underground film scene on February 14th at Film Noir Cinema , delivering a brutally memorable Valentine’s night dedicated to disturbing, transgressive, and fearless cinema. Hosted in the heart of Greenpoint , the inaugural edition was an overwhelming success , featuring a razor-sharp international lineup, an engaged and enthusiastic audience, electric post-screening reactions, and striking ph


Feeling What Cannot Be Explained, an Interview with Karlijn Reynaerts on Beproeven
In Beproeven , Belgian filmmaker Karlijn Reynaerts invites us into a world where something as ordinary as food becomes an overwhelming confrontation. Rather than explaining Avoidant/Restrictive Food Intake Disorder (ARFID) through diagnosis or narrative exposition, the film chooses a far more daring path: it immerses the viewer in the sensory and emotional reality of the condition. Fragmented imagery, distorted close-ups, rhythmic editing, and an acutely controlled soundsca


Brussels Independent Film Festival Wraps Up Another Successful Year, Honors Eleven Winners with Chocolate Prizes
Brussels, 9 February 2026 - The curtains have closed on yet another edition of the Brussels Independent Film Festival. Spanning seven days, the festival showcased a total of 68 feature and short films hailing from 23 countries, nestled in the heart of Brussels at Cinema Aventure. Kris De Meester, the festival director: “Reflecting on this year’s edition of the Brussels Independent Film Festival, I feel above all a deep sense of gratitude. First and foremost, I want to thank


Inside the Selection Room: Selection is Subjective
What really happens after you submit your film to a festival? Why do some great films get rejected, while others that seem less polished make the cut? We spoke with Kris De Meester, an experienced curator behind multiple international film festivals, to lift the veil on the selection process and offer honest, practical guidance to filmmakers navigating the world of festival submissions . Q: Let’s start with the big one—are submissions actually being watched? Kris De Meester:


Bearing Witness in Silence: An Encounter with Inferior Shadows
I watched Inferior Shadows during the Doc.Berlin Documentary Film Festival. When the credits stopped rolling, no one moved. No applause, no murmurs—just a room full of people looking at each other, quietly aware that we had witnessed something rare. The film is beautifully shot, but brutally so; tender in its attention, devastating in what it reveals. Long after the screening, its images stayed with me. It felt necessary to speak with the filmmaker Ramin Khalighi —not to de
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